| 1. | Three clues of zhen genuine and jia in dreams of the red chamber
甄真贾假三条线 |
| 2. | Appealing for feminism value in dream of the red mansion
的女性主义价值诉求 |
| 3. | The plot clues and narrative methods in dream of the red chamber
的情节线索和叙事手法 |
| 4. | Taoist secularity in early qing dynasty reflected in dream of red mansion
所反映的清初道教的世俗化 |
| 5. | Lin daiyu ' s color in the three narrative levels in dream of red mansion
三种叙事层面中林黛玉的色彩形象 |
| 6. | Portrayal of the greedy image of jia yucun in dream of the red mansion and aesthetic thinking
中贾雨村贪酷形象塑造的美学思考 |
| 7. | The amazing ma lan flower has been in blossom for 45 years , and this flower will still live in dreams of children of future generations with its enduring life
这朵神奇的马兰花绽放了45年，她还将以永不凋谢的生命力继续绽放在一代代孩子们梦的年华里。 |
| 8. | In order to explore the art value and time characteristics which incarnated by people ' s baldric in dream of the red chamber , in this paper we analyzed the depiction on baldric in dream of the red chamber , construed ornamental and aesthetic function which was incarnated by baldric in dream of the red chamber and time localization , then compared the baldric in dream of the red chamber and the baldric in modern times , analyzed status quo and developmental trend
摘要为了探究《红楼梦》中人物佩饰所体现出的艺术价值和时代特点，文章从《红楼梦》中的佩饰描写入手，剖析《红楼梦》佩饰所体现出的装饰性和审美功能，以及其所具有的时代局限性，并将《红楼梦》佩饰与现代佩饰进行了比较，分析了现代佩饰业的现状和发展趋势。 |
